Solo Exhibitions
2000 Robert Langen Gallery, Wilfred Laurier University, Waterloo: Invisible Inc
1998 Cold City Gallery, Toronto: Invisible Inc
1995 Cold City Gallery, Toronto: Dreamery
Koffler Gallery, Toronto: Trade Show (curated by Carolyn Bell Farrell)
1994 W139, Amsterdam: Sarah Bellum Travel
Galeria Carles Poy, Barcelona: Kit
1993 Cold City Gallery, Toronto: Kit
1992 Forest City Gallery, London, Ontario: Travelling Library
1991 Cold City Gallery, Toronto: Travelling Library
Toronto Sculpture Garden, Toronto: Stray Plow
1990 Cold City Gallery, Toronto: Lingering Matters in a Rinse of Hydro
1988 Cold City Gallery, Toronto: Ulterior Modem
1987 Cold City Gallery, Toronto: The 68º(F) Memorial Arena Presents the Ice
Follies
1986 Pages Bookstore, Toronto
1985 Mercer Union satellite project, Toronto: Christopher Columbus
Headquarters
Mercer Union, Toronto: Christopher Columbus Headquarters Drawings
1983 Artculture Resource Centre , satellite project, Toronto: Going Somewhere
The Funnel, Toronto: Going Somewhere: Drawings
1981 Galerie Optica, Montréal: Host and Guest
1980 YYZ Gallery, Toronto: Brian Scott
Selected Group Exhibitions
2007 A.K. Collings Gallery, Port Hope
2006 Hic , Hart House, University of Toronto
2005 The Cold City Days , the Power Plant, Toronto
2004 Indivisuals Revisited , WKP Kennedy Gallery, North Bay, Ontario
2003 Indivisuals , Fundacio Antonio Tapies, Barcelona, Spain
(curated by Jorge Luis Marzo)
2002 Indivisuals , Mendel Art Gallery, Saskatoon (curated by Jorge Luis Marzo)
2001 Photography by Artists , Lonsdale Gallery, Toronto
(curated by David Miller)
1999 Still Life , Case Studies at Harbourfront Centre, Toronto
(curated by Patrick Macaulay)
1998 The Edge of Everything, Loggia Gallery, Koffler Centre, Toronto
(curated by John Massier)
Reviews: Toronto Selected Histories , Robert McLaughlin Gallery,
Oshawa
1997 Work/Site , Art Gallery of Ontario, Toronto
1996 For Lack of Evidence , Chateau de la Roche Guyon, France
(curated by Alain Reinaudo and Ginette Legaré)
10 , Cold City Gallery, Toronto
Wild Life , Koffler Gallery, Toronto (curated by John Massier)
Happy World , Free Parking, Toronto
Reviews: The Monumental New City: Art and Community , Mercer Union,
Toronto (curated by Tom Folland and Natalie Olanick)
Sac de Hockey , Paul Petro Contemporary Art, Toronto
1995 Herejias: Critica de los mecanismos , Centro Atlantico de Arte Moderno,
Las Palmas de Gran Canaria, Canary Islands, Spain (curated by
Jorge Luis Marzo)
Gallery Artists , Cold City Gallery, Toronto
1994 Frankenstein: Explorations in Manipulation and Surrationality , Macdonald
Stewart Art Centre, Guelph (curated by Nancy Campbell)
I Tu, Qu T’Has Cregut? , Museu Comarcal Del Maresme-Mataro, Spain
(curated by Jorge Luis Marzo)
1994 Mediatrics , CBC Building, Toronto
Agri-Cultura , street poster project, Barcelona
La Fotographia Como Mal , Transformadors, Barcelona
(curated by Oscar Abril Ascaso)
XV , Macdonald Stewart Art Centre, Guelph
Gallery Artists , Cold City Gallery, Toronto
1993 For Lack of Evidence , Mercer Union, Toronto
(curated by Alain Reinaudo and Ginette Legaré)
New Gallery Inaugaural , Cold City Gallery, Toronto
1992 En Scene , W139, Amsterdam (curated by Dominique Pelletay)
Parts , Centre Culturel Canadien, Paris, France (curated by Jeffrey
Swartz)
Localmotive , Reck Room (outdoor sites in the Junction), Toronto
Gallery Artists , Cold City Gallery, Toronto
1991 Parts , Galeria Carles Poy, Barcelona, Spain (curated by Jeffrey Swartz)
Gallery Artists , Cold City Gallery, Toronto
1990 Gallery Artists , Cold City Gallery, Toronto
1989 Vancouver-Toronto Exchange , Contemporary Art Gallery/Or Gallery,
Vancouver
Gallery Artists , Cold City Gallery, Toronto
1988 In Absentia , Vancouver Art Gallery, Vancouver (curated Paul Wong)
Walls on Fire , YYZ Gallery, Toronto
Gallery Artists , Cold City Gallery, Toronto
1987 Funnel Collection Launch , The Funnel, Toronto
The Interior Tenement , Republic, Toronto
1986 Projections/Dimensions , Mercer Union satellite project, Toronto
Inaugural Exhibition , Cold City Gallery, Toronto
The Emperor’s New Clothes , Art Metropole, Toronto
Quick Draw , Gallery 76, Toronto
Current Events , A Space, Toronto
Tent Canopy Project , Touring 25 sites across Canada
1985 Ex Post Factor , Mercer Union Gallery, Toronto
1984 The New City of Sculpture , YYZ, Mercer Union, Gallery 76, A.R.C.,
Gallery 620, Toronto
1983 Chromaliving , Organized by Chromozone at the Colonnade, Toronto
Six Artists From Toronto , Galerie Articule, Montréal
1982 Monumenta , A Space, YYZ, Chromazone, Gallery 76, Toronto
1981 Liberty Square, Rome, NY
1978 I.L.E.A. Drawing Show , Whitechapel Art Gallery, London, England
1975 Quebec Animated Film Festival , Outremont Cinema, Montréal
Selected Bibliography
Allen, Johnathon, “El yo multiple: visiones multimedia de la representacion,”
Atlantica , No.11, Autumn 1995
Antolin, Enriqueta, “Herejes Sin Hoguera,” El Pais , June 10, 1995
Artviews , Winter 1986/87
Casado, Luis, El Pais , January 13, 1992
El Guia , (2/94), “Kit,” (Barcelona)
Everett Green, Robert, The Globe and Mail , September 4, 1988
Everett Green, Robert, “The Shoe Store and the Baker,” The Globe and Mail ,
June 18, 1986
Feinstein, Roni, Art in America , November 1994, ‘Report from Toronto’
Gee, Brian, “Locating the Public in Public Art,” Vanguard , Oct/Nov 1986
Grenville, Bruce, Parachute , No. 30, 1983
Guasch, Anna, diari de Barcelona , January 2, 1992
Hanna, Deirdre, “Brian Scott’s clear view defines Invisible,” Now , Sept 10 -16, 1998
Hanna, Deirdre, “Brian Scott’s pseudo-Trade show plays with emptiness of hype,”
Now , August 30 - September 6, 1995
Hitzeroth, Connie, Now , April 9 - 15, 1987
Hobbs, Peter, “C” Magazine , Fall, 1991
Hume, Christopher, The Toronto Star , June 14, 1991
Hume, Christopher, “Mercer Art Thrives on Images,” The Toronto Star ,
June 28, 1985
Hume, Christopher, The Toronto Star , June 26, 1982
Larsen, Anna-Marie, Lola , #7, fall 2000
Lypchuk, Donna, “The Invisibility of Information,” Vanguard , Dec/Jan, 1988/9
Lypchuk, Donna, “Art in the Age of Aquarium,” Metropolis , September 22, 1988
Lypchuk, Donna, Vanguard , October, 1985
Lypchuk, Donna, “Famous Lies and Illustrious Disguises,” Parallelogramme ,
Vol.11, No.1, 1985
MacKay, Gillian, The Globe and Mail , June 28, 1997
MacKay, Gillian, The Globe and Mail , September 19, 1998
Massier, John, “Invisible Man”, Canadian Art , Winter 1998
Mays, John Bentley, The Globe and Mail , November 25, 1989
Mays, John Bentley, The Globe and Mail , September 17, 1988
Mays, John Bentley, The Globe and Mail , June 5, 1980
McGrath, Jerry, “C” Magazine , Summer, 1987
McGrath, Jerry, “Mediatrics,” Parachute , No. 75
Moldolfsky, Mitch, Art Post , November/December 1984
Nasby, Judith, ‘The Making of a Museum’, 2021, book,
McGill-Queen’s University Press
Rans, Goldie, “The New City of Sculpture,” Vanguard , November 1984
Swartz, Jeffrey, Flash Art , March/April 1992
Swiderski, Christine, CKLN , ‘Art on Air,’ September 12, 1991 Interview
Taylor, Kate, The Globe and Mail , May 24, 1991
Tuset, Alex, A Barna , No. 9, April 1994, “Afuncionalidad” (Barcelona)
Vasseur, Annie Molin, ETC Montréal , No. 25, Feb - May, 1994,
“For Lack of Evidence”
Vidal, Jaume, El Pais , July 14, 1994
Webb, Marshall, Canadian Art , Winter 1984
Catalogues and Publications
torontosculpturegarden.ca , website
www.indivisuals.org , website, 2002-3, Fundacio Antoni Tapies (Barcelona) and
Mendel Art Gallery (Saskatoon)
Toronto Sculpture Garden , catalogue, 1998, text by Barbara Fischer and
Ihor Holubizky
Wild Life , catalogue, 1996, The Koffler Gallery, Toronto. Text by John Massier
Reviews: The Monumental New City: Art and Community , brochure, 1996,
Mercer Union, Toronto. Text by Tom Folland
Trade Show , catalogue, 1995, The Koffler Gallery, Toronto. Text by Carolyn Bell Farrell
Herejias: Critica de los mecanismos , catalogue, 1995, Centro Atlantico de Arte
Moderno, Las Palmas de Gran Canaria, Canary Islands, Spain.
Texts by Jorge Luis Marzo, Amelia Jones, Jack Ben-Levi
Frankenstein: Explorations in Manipulation and Surrationality , catalogue, 1994,
Macdonald Stewart Art Centre, Guelph. Texts by Nancy Campbell,
Janine Marchessault
Kit , catalogue,1994,Galeria Carles Poy, Barcelona.Texts by Catherine Crowston,
Carles Poy, Jesus Renau
I Tu, Qu T’Has Cregut? , catalogue, 1994, Museu Comarcal del Maresme - Mataro,
Spain, text by Jorge Luis Marzo
Primavera Fotogràfica ,1994, catalogue, Generalitat de Catalunya,
Dept. de Cultura,Barcelona
For Lack of Evidence , catalogue, 1993, Mercer Union (Toronto) and Centre d’Art
Contemporain d’Herblay (France), texts by Barbara Fischer, Rosi Huhn
Measuring The Gap: Locating the Artist and Viewer in Public Art , symposium
publication, 1993,Art Gallery of Ontario, Forest City Gallery, McIntosh
Gallery.
YYZ DECALOG , catalogue, 1993, YYZ Gallery, Toronto
Public No. 7 , (Sacred Technologies) artist project 1993
En Scene , catalogue, W139, Amsterdam, 1991
Parts , catalogue, Galeria Carles Poy, texts by Jeffrey Swartz and Nancy Campbell,
1992
Travelling Library Guide , artist book, 1991
Stray Plow , brochure, published by The Toronto Sculpture Garden, text by Tila Kellerman, 1991
Impulse Magazine , Volume 15, No. 2, “Anaesthesia’s Room” (Artist Project)
Diderot , Issue #1, “The Emperor’s New Clothes”, UMAS Video Publication
Border Lines , #9/10, Fall/Winter, 1987/88, pg.36. Visuals for “The Carnival is Over” by
Sadanand Menon
“C” Magazine , Winter 1985, artist project
The New City of Sculpture , catalogue, published in “C” Magazine, No. 3, Fall 1984,
Text by Bruce Grenville
Chromaliving , catalogue, published by Chromazone, 1983
Six Artists From Toronto , catalogue, 1983, published by Articule, text by Lynn Hughes
Commissions
Victoria Park, City of Kitchener, 1997, ‘Stray Away’ (‘the Canoe’)
sculpture/installation. Rebuilt in 2022
Macdonald Stewart Art Centre, Guelph, 1993, ‘Stray Plow’ - sculpture/installation
Metro Hall, Toronto, 1992, four photographic murals
Collections
Art Metropole
Canada Council Art Bank
City of Kitchener
Fidelity Investments
Art Gallery of Guelph
McCarthy Tetrault
McMaster Museum of Art